ASF Hot Seat: OSFUG

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Sick of long sketches, complicated staging and ballooning prop budgets, NYC’s Kingmaker set out to create bare bones, balls-to-the-wall sketch show where scenes have close to zero props and come under two pages. The result? O.S.F.U.G.: A Fast Fucking Sketch!
We put O.S.F.U.G.‘s Mark Vigeant in the ASF Hot Seat to ask him a few questions.

What can audiences look forward to in your show?

Mark Vigeant: OSFUG is a high-octane sketch comedy group that crams more sketches into 30 minutes than any group around. Our show is fast-paced, high-energy, and totally unpredictable. It’s just really fun.

How did your group get together?

Mark: My other sketch group, Kingmaker (also at the festival!) got sick of sketch comedy that was highly formulaic and seemingly endless. A lot of sketches we were seeing in the NYC community were 6 minutes or longer and involved props that not only looked stupid but cost the groups hundreds of dollars every show. So we got together with our friend Colin and put together this experimental show where all the sketches were 2 pages or less and involved as few props as possible. It worked, and we brought the show to the Upright Citizen’s Brigade Theatre East Village where we built a group around it. And we’ve been chugging along ever since!

Who are your influences? Who are some of your favorite sketch comedy acts performing today?

Mark: My personal biggest influences are Tim & Eric, Weird Al, and Steve Martin. I’m also a huge fan of Stella and Wet Hot American Summer. Oh, and obviously the Simpsons. When I first saw Tim & Eric’s Awesome Show, it changed the way I watched comedy. Not only was it unlike anything I had seen before, but whatever it was they were doing they did it supremely well. That inspired me.

My favorite sketch acts currently on television are Portlandia and the Eric Andre Show. In terms of live acts I’m a big fan of Girls With Brown Hair (NYC), Boat (LA), and the show “Fucking Identical Twins” at UCBNY right now.

What makes you laugh the most?

Mark: Complete unabashed commitment, in both writing and performance. I love that feeling as an audience member of being totally satisfied by how deep a group will go into a premise. I’m trying to describe it without being vague, but basically I love when a group sets up a reality onstage and then blows it out, bends it, fucks with it, and completely explores it. All while the actors are giving it 100% of their energy. Love that. That’s what creates guttural reactions in me. The now-defunct sketch powerhouse “Pangea 3000” was all about that. They would set up something onstage and explore it in every possible way without winking to the audience or cracking a smile. I am also a big fan of silliness, and have a strong preference against topical humor.

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What’s the best thing about the NYC comedy scene?

Mark: It’s very supportive yet at the same time very competitive. Everyone wants to help each other out, and everyone recognizes that we all grow together. Yet at the same time, there is limited (good) stage space and there is a very real industry presence. I find it comforting to see so many people work hard. It really motivates me.

Do you have any fun “worst show” or “worst audience member” stories?

Mark: The first time I did standup in college was a nightmare. I came out of high school thinking I was the funniest guy ever. I joined my college improv group, which did short form at the time, and I already had taken my first long-form improv class at UCB, so I had this cocky attitude where I thought I knew better than the rest of the group. I had done standup a few times in High School and killed. I would tell what my brothers and I call a “camp story.” That’s a story that’s really dumb and flexible that you could stretch out with silly details as long as you want in case you’re working at Summer Camp and it starts raining and you have to entertain a bunch of children in the pavilion for an undetermined length of time. Those stories only work if you’re 100% confident and committing super hard. Which was easy when the audience was comprised solely of people from my high school who wanted me to succeed.

It was like 3 weeks into College, and I saw a sign for a standup competition. I immediately signed up thinking I was a shoe-in. I had an image in my head of the show taking place in the basement of one of the community buildings, with, like, 10 people in the audience. I also figured that nobody else could possibly be as funny as I am.

Well the reality of the situation was that it took place in a bar. I was the only freshman in attendance; everybody else was a senior. And not only that, but one or two of the contestants were Frat Bros who brought about 20 of their friends, who were getting drunk at this loud bar. I got onstage and within seconds completely lost the audience. I had a heckler, I had a group of people try to clap me offstage. I think people booed at one point? And this all only made my story-telling worse, so it really was the absolute worst it could’ve gone. I got offstage and held my head in my hands and thought “I wish I could crawl into a hole and die.” Then I had to walk back to my dorm with my 10 friends who came, who all tried to tell me it “wasn’t that bad.”

It was really horrible, except that kind of colossal, ego-destroying failure so early on was in fact very very helpful to me. I’ve experienced “the worst” and I lived. And it wasn’t that terrible. So it helps me take chances.

Do you have any fun “best show” stories?

Mark: Yes! Well kind of! OSFUG has actually had 3 or 4 shows where everything went perfectly in a cosmic, awesome way. Typically at our show at the UCB we do 30-40 sketches in an hour, and some won’t hit while others do. But as I said we’ve had a handful of shows where everything hit, and the audience just has this electric vibe to them. It’s quite an experience when the audience stops to applaud after a 1 minute sketch.

Nothing particularly huge has happened after any of them. No big high-rollers came up to us afterwards and said “Congratulations, here’s 1 million dollars, go out and create more art!” But that’s hopefully coming soon.

What are you looking forward to while visiting Austin? Any acts you’re looking forward to at this year’s festival?

Mark: I am just very pumped to see the city of Austin. It seems very cool. I’m going to rent a bike and just explore. The whole planning portion of our trip to Austin transpired while New York was the most cold and miserable place it’s been in a long time, so Austin has been my fantasy land of warm weather and friendly people. I don’t really know who else is going to be there except the other NYC groups that I already know I like, like Girls With Brown Hair!

Share with us your tips for a job interview.

Mark: Lie.

This is actually super-helpful in a tech job situation. You should know just a little bit about every new programming language / paradigm / thing, and when the interviewer asks you about it you say you know it, and just enthusiastically explain the one thing you know about it. The truth is, if you’re a programmer, you can learn all the new things fairly quickly if you need to. So charisma will get you there. “Oh Python! Yeah man, it’s great, I love how CLEAN it looks! So long semi-colons! Hahaha!!!”

We need to increase the visibility of this article. Any suggestions for a click-bait headline?

Mark: 7 Signs That Jeff Goldblum Has Secretly Dominated The Global Sub-conscious For Decades

What else is your group looking forward to this year?

Mark: We created a pilot that we’re very excited to share with the world. We took some of our favorite sketches from the past year and adapted them for the screen, and wove them together in the style of Mr. Show/Monty Python. So, look out for that! I don’t know when we’ll be making it public, but you can find updates at our website osfug.com! (which I built from scratch XD)

O.S.F.U.G.: A Fast Fucking Sketch Show performs at Austin Sketch Fest on Thursday, May 21st at 10:15 pm at the Spider House Ballroom. Tickets on sale soon.