ColdTowne Theater

IT'S THE END OF THE WORLD* AS WE KNOW IT, BUT WE FEEL FINE ABOUT 2017

IT'S THE END OF THE WORLD* AS WE KNOW IT, BUT WE FEEL FINE ABOUT 2017

It feels a lot like there’s not much to look forward to in 2017 with our incoming administration buddying up to the murderer Vladimir Putin and creating a rogue’s gallery of cabinet members that would make the Legion of Doom queasy, an international refugee crisis that threatens to destabilize Europe, and the constant uncertainty of whether or not the McRib will be back. Not to harp on the adage of “Trump will be good for comedy”, but the truth is that I know that he will be. 

Austin Comedy 2015: DAMN GINA Breaks It Down

damn-gina.jpg

by Erica LiesPhoto by Steve Rogers

It’s no secret that for years, comedy in general and improv in particular, have had a reputation for over-representing on the straight white dude front, and there’s been a lot of discussion this year about diversity in improv overall. While improv in Austin has seen tremendous growth in terms of women’s participation, it’s been far less robust amongst other underrepresented groups. So when a photo of Damn Gina –– Austin’s first and only all black woman improv team –– appeared in my newsfeed last July, my first response was, “WHEN IS THE SHOW I HAAAAAVE TO GO!”

Consisting of supertalents Xaria Coleman, Cene Hale, Ronnita Miller, Tauri Laws-Philips and recent addition Maggie Maye, Damn Gina’s in the middle of a December run at ColdTowne Theater with openers Sugar Water Purple. Titled ‘Night Watch,’ Damn Gina is doing an Armando set with the players telling stories about their encounters with law enforcement. Their show last week slayed, and this Thursday December 17th is the final chance to catch this run. If you miss it, I feel sorry for you and your sorry life.

I sat down with a few of the Ginas this weekend to talk about what they find funny, what made them want to be a team in the first place, and why Austin comedy still needs more diversity.

How did Damn Gina get started?

Cene Hale: Wasn’t it Ronnie [Miller] that put the group together?

Xaria Coleman: That’s racist! It was me, Cene! [Laughter]

Maggie Maye: One of the black girls put it together. [Laughter]

Xaria: We all put it together. I knew I wanted to play with Cene, and then I met Ronnie in a jam and thought she was funny. And Tauri [Laws-Philips] was on my Improv Fantasy League team and she was so great. They were all really funny, and I was like, “Hmmm. There’s four black people here. Let’s start a team!”

Maggie: And then I heard about it.

Xaria: The only reason Maggie wasn’t in it at first was because I thought she wouldn’t have time for us.

Maggie’s busy being fancy and going on Conan. What specifically made you all say, “I want to play with other black women?”

Xaria: When I first started [doing improv], I was the only black person at ColdTowne. I remember seeing Maggie at a party, and I was like, “What up girl!” We didn’t even know each other, but we were instantly super comfortable. Then I met Cene and it was like, “This could be a thing. We could have some diversity here. Let’s do this.”

Cene: It’s easier for me to want to be on stage when I see people like me doing the same thing. I went to the jam at ColdTowne and Xaria was there. And then I found out Maggie ran the open mic. So I said, “Okay, I’ll take classes there.”

Xaria: When there’s other people like you, you just want to play with them.

Maggie: When there’s other people like you—this is gonna sound weird, but—you know where the other person is coming from onstage. When they give you a suggestion or they’re playing with you, you’re like, ‘Oh, they’re playing.’ They’re not, like…

...Saying something racist? [Laughter]

Maggie: Right. People don’t set out to say something racist. But sometimes they don’t realize what they’re saying is racist. Or they say stuff they wouldn’t say in real life. I think sometimes when people see a black player, they think, “Here’s my chance to get out my preacher idea that I want to do.” And it’s like: maybe don’t.

So in playing on Damn Gina, you can talk about black culture, but you don’t have to.

Maggie: Yeah. It’s possible, but it’s not necessary. Plus they’re all so funny. I love being in a group where I know I’m going to have fun and absolutely die laughing because the other people are so funny.

Xaria: We just have fun together.

Cene: I feel like I understand what y’all are thinking or where you’re going. It doesn’t take much for me to know what page we’re on.

Maggie: We’ve all had similar experiences. Because we’re all black women, we look at things through the lens of that experience. In Night Watch, someone will tell a story that happened to their brother, and I’m like, “That happened to my brother, too.” We see each other through a similar lens, so when someone says something, it’s not a foreign concept. It’s not anything negative to say we live in a different world than our white counterparts, but things have happened to me that will never happen to my white friends.

Between Damn Gina and Sugar Water Purple plus a couple other groups, there’s more representation of people of color in Austin improv now than there was before. Not to say there wasn’t any before—Shades of Brown has held it down on that front for a while ––but it feels like 2015 was the year it’s really started to shift and there’s more than one team.

Xaria: Yeah, there’s also Ghetto Snax, Latino Night.

And Minority Report.

Cene: Yeah. I feel so much more at ease seeing more diversity.

Xaria: Even the audience is more diverse, too, now. I’ve noticed that since we’ve started. I’m like, where did all these people come from?

Maggie: It’s refreshing to see other people of color there now. I don’t want to say there’s a barrier, because certainly no one is stopping anyone from doing it. Everyone’s super pumped to see all the diversity coming in, but the fact there were only a few of us for years… I don’t want to say it’s an indicator of something, but it shows that black people are not doing improv at the same rate. I don’t know if it’s because it’s Austin or just improv in general. I saw an article on Sasheer Zamata’s improv group—and they’re out of UCB in New York—that was like, “Diverse improv troupe!” And I’m thinking, ‘There’s only three of y’all.’ Women are underrepresented in improv. Black people are underrepresented. So that’s why it’s important.

Xaria: Before we started, there were a lot of women doing things. It was like, “Women troupe! Women troupe! Women troupe!” And I was like, “THIS IS AWESOME!” But then I thought, ‘Wait. What about black women? We can do that, too!”

And there was a desire to see more diversity in general. How have audiences received you guys?

Maggie: A lot of improvisers are really excited about it. So many people have promised to come—and you know so many people say that and don’t ever come out—but people are actually showing up. People have told me, “Just on name alone, I want to see Damn Gina.”

What’s your favorite show been so far?

Xaria: I didn’t want last week’s show to end. The scene where we were white girls—

Cene: —FILTHY RICH white girls!—

Xaria: Nobody else can do that.

Yeah. It wouldn’t pack the same punch or have the same inherent critique if, say, I did that scene. You’re doing a show at ColdTowne Theater on Thursdays at 8pm in December, called Night Watch with opener Sugar Water Purple (show plug!). Tell me about them.

Xaria: They bring so much. They bring such high energy. They play so fast and come in and jump around. I played with them last week and when we were standing in the hall and the music came on, I was like, “I’m scared! I can’t jump around, I’ll get tired!” But I had so much fun with them.

Maggie: Their group games are so fun and they incorporate stuff that no one else is doing. They’re so great.


Erica Lies is an actor and writer whose work has appeared in Splitsider, Bitch Magazine, Rookie Mag, and The Hairpin. She also a two-time second-rounder at the Austin Film Festival with two pilots she wrote with Valerie Nies.

SUPEREGO w/ Paul F. Tompkins Headlines Austin Sketch Fest!

superego_post.jpg

Austin comedy fans! We are excited to announce that our favorite podcast, SUPEREGO, will be headlining the Austin Sketch Fest this Memorial Day weekend w/ special guest Paul F. Tompkins!
We’re still working booking acts and completing the schedule for the Festival, which will take place Memorial Day Weekend. In the meantime, there are a limited number of early-bird all access FESTIVAL PASSES available that include tickets to the SUPEREGO show. Get them here.

If you’re interested coming to Austin to perform for the 2013 Austin Sketch Fest over Memorial Day Weekend – May 22nd through May 27th – follow this link. Deadline is February 1st ($15 payable via Paypal). If you have any questions, you can email us at info@atxsketchfest.com.

SUPEREGO began in 2006 when Matt Gourley and Jeremy Carter finally decided to record some of the stupid things they’d been saying. Luckily, Podcasts were just starting to emerge as an obscure form of media that no one was listening to. They remained patient and kept recording what would become the Superego Podcast: a collection of improvised, character-based sketches presented through the loose psychological framework of analytical Pscience™. Soon after, Mark McConville officially joined the staff as well as resident video specialist Jeff Crocker. Since then, they’ve steadily garnered over a million downloads, been featured on the iTunes main podcast page, and welcomed such guests as Patton Oswalt, Jason Sudeikis, John Hodgman, Andy Daly, Drew Carey. Superego: Profiles In Self-Obsession!

2013 Submissions Are Live!

2012 was an exciting year for Austin Comedy that saw an explosion new of sketch, scripted comedy, short films and video sketches. The Austin Sketch Fest’s goal is to bring comedians from all over central Texas and the world together and to showcase the explosive and diverse growth of the Austin Comedy scene.
Last year, the ATX Sketch Fest grew by leaps and bounds. We brought in Paul F. Tompkins and expanded to three venues all over Austin. This year, we’re going even bigger. We’re interested in seeing your live scripted comedy shows — from sketch ensembles to one-man storytelling shows, weird conceptual game shows and everything in between.

If you’re interested in coming to Austin for the 2013 Austin Sketch Fest over Memorial Day Weekend – May 22nd through May 27th – FOLLOW THIS LINK. Early Registration Deadline is January 1st ($10 payable via Paypal). Late deadline is February 1st ($15 payable via Paypal). If you have any questions, you can email us at info@atxsketchfest.com.